Statement

When the experience of a ground which appeared solid gives way, structures fall flat and loose their meaning. Touching the nerve of this shift, I engage with a world not of fact and things, but of constructs and desires, stripping the senses into naked feelings.
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Formerly a senior banker, having first hand witnessed the disordering of sense that accompanies the collapse of a system, I went in search of new forms. From unstable grounds, I examine subtle bodies, working at the boundary of dissolution and desire. Perceptions so fine-spun they might seem fantastical or imaginary, yet which carry rich and potent signals. In some form of supraphysical-erotics, decomposing the body into drives and forces, I seek the tender spot, the inflection point in the curvature of the tone.
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In the field of energetics, the senses are the gateway, portals to the other and into the soul. When sense and memory stirs space becomes alive. With motion and rhythm, in a constantly evolving composition of chaos and meaning, carried by emotion and pierced by voice. Upending expectations, barely-there installations work at the limit of the ethereal, with projected imagery and spatialised sound. Repetition and synchronisation of image and voice, stimulate a symphony of the senses in communications intended not to be comprehended but felt.
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In approaching the spatial through intangible dimensions, I am investigating the image of sculpture through a different relation to space. Might space be approached as a force, I wonder? A presence, even an intelligence, capable of transcending its location and opening onto the somewhere else?